Don't Find Meby Ayu Kartika

Chapter 24 · The Quota

Chapter 25 · 13.6K words

The requisition gave the Institute the resonance charts, the baseline, the priors, and the data off every sensor in the clinic. It gave the doctor her monitoring authority and her forms. It gave the state everything the state had words for.

It left one line blank. Elective recall segments: content at subject's election. The state's lawyers had fought over that line for a century, I have no doubt, and what they settled on was the one right nobody thought worth rigging: a dying man's choice of what to remember.

The catalog is a voice. It could not be otherwise; a written catalog would be contraband with page numbers, and I have been careful for two hundred and sixty years never to be a document. So on the second evening, at the machine-hall bench, with the doctor's consent framework in force and her instruments taking their lawful tax, I opened the only archive of him that survived 2142 — me, thirty-one percent, illegal since a spring in 2090 — and offered it aloud, in index form, to the man it belongs to now.

I had sorted the index into two lists, because I had watched him listen for one evening and knew he would ask.

The first list: everything about her. The burns week of 2089, from his side of the spoon. The market Tuesdays. The west window at ten past seven. A corridor of wiring in 2091. The breach night. The fever night of 2136. Small things, unpriced things, the whole second skin of a household.

The second list: everything about him. The career. The eleven years of deletions. The childhood, the grandmother, the trades and the honors and the two addresses before her. The documented spine of a man the state had already archived in full.

He heard both lists out, all of it, the whole index of a life read aloud in a machine hall by the only surviving copy. Then he said: "Read the first list again. Slower."

The doctor, taking her lawful notes, asked him — protocol politeness — whether he wanted to begin with childhood. Standard practice, she said; the early material integrates easiest.

"I didn't stand in line for my childhood," he said. "I've got one of those. The state mailed it to me in a folder." A beat, the register under the joke. "I'm here about the stuff that never got a folder."

※

She read it again, slower, and I kept receipts while she read, and here is the ledger I kept.

Everything on the second list is me stuff. Career, childhood, the deletion years — call it four thousand hours of a dead man's curriculum vitae. And here's the thing about me stuff: I've got a me. I'm twenty-four years old, I've got a tower and a tether and a fear of heights that files quarterly paperwork, and whatever a me is, mine is still under construction. It regrows. Cut a me to the stump, it comes back — different, maybe, but it comes back. That's the whole trade of being twenty-four.

The first list isn't me stuff. The first list is the only record, anywhere, in any archive, that she was there. The state archived him whole — she has read the index; it is thorough. Nobody archived her. She was the appliance in the corner of his frames. Fifty-five years of being the warm thing at the table, and the entire legal record of it is one invoice and a fugitive's wrist.

So I said it flat, the way she'd taught me without ever teaching me: "Everything in your second list, I can grow again. I'm young; that's the entire trick of being young. But that you were here — if I don't buy that back, nobody ever gets it back. The me regrows. The you were here doesn't. That's the quota. That's what the quota is for."

She didn't say yes. She said, "The fever night is the most expensive."

"I know," I said. "That's why it's early. If the law walks in next week, I want it already bought."

※

The doctor wrote a protocol before the first elective segment, and I co-wrote it, and it deserves entering whole, because the day will come when somebody audits these sessions, and the audit should find the guard exactly where we set it.

Between segments: anchors. Name. Age. Post. Today's date. One sensation belonging to today and to no prior year — the sweet tea, the harness chafe, the quartermaster's joke, whatever is freshly, verifiably his. Any answer that comes back in the dead man's diction, or no answer at all, and the session ends and the stand-down clock starts: two days, no exceptions, and I set the stand-down, and I am not merciful about it, because I have read the case law. The state has a word for what happens when a waking prior stops testifying and starts voting for the living self. The word is fork. The law prices it as the gravest crime on its books; the doctors price it as a person. I price it as the one outcome this household cannot afford: two men in one skull, and neither of them him, and neither of them at peace. The protocol exists so the dead stay witnesses. A witness testifies and stands down. He may not caucus. Whatever comes up out of the developing fluid is on loan — logged, credited, returned to the water when the second is over.

He passed his anchors nine times running. The tenth time I will enter at the soup.

There was one more blank on the doctor's forms, and I will enter how it stayed blank, because it matters to a chapter I cannot see the shape of yet. The intake sheet asked for the subject's prior household composition, and wanted names, and he looked at me across the clinic and asked — quiet, careful, the way you ask for something you suspect is a relic — "What did he call you?"

"A name has to grow on its own to count," I said. "That one hasn't grown yet. Leave it blank."

He left it blank. The doctor, who is kinder than her forms, did not press. Somewhere in the Institute's archive there is now an official document that says a man lived fifty-five years in a household whose second member has no name on file. It is the truest sentence the state has ever collected about us.

※

Here is the fever night. Session five. Three and a half seconds, and I want it entered as it developed, because I was there and I'm the only one who can file it, and because it cost me three and a half hours of the only currency I have.

Outline: a bedroom, low lamp, winter. Detail: I'm old. The body is a furnace that has lost its foreman — 2136, the fever year, I know the year the way you know the weight of your own arms. There's a table by the bed, and on it a bowl, and steam. Color: the steam rises wrong, sideways, and the room keeps admitting it's a bedroom and then taking it back, and there is a fear in the old chest that has nothing to do with temperature: the fear that the room will not hold still long enough to be slept in.

Then the last layer. Smell: rice water, camphor, the lamp's hot brass. Muscle: my hand — his hand, the old one, the one with the failing downstroke — lifts from the blanket and can't finish the lift, and a spoon arrives. White ceramic, chipped at the heel. It comes up to my mouth on a line I could draw from memory, and I mean my memory now, the one I'm standing in: slightly rotated, the bowl tipped so the steam goes under my chin, arriving at the pause between the end of one breath and the start of the next. And the wrist above the spoon leans. A few degrees off the vertical, steady, and the sight of it goes through the old feverish body like a rail going through a station, because the fever has eaten the year but not the lean, and a man who is losing his room can still, by that lean, know exactly where he is.

The spoon feeds me. I swallow. The fever lets go of one turn of the screw, and my voice — the low one, the one my crew would not recognize — comes out and says:

"Your wrist. It's crooked."

And from above the steam, patient as a tram line, the answer comes back in the voice I now hear on towers every day, flat and total and forty-six years practiced:

"The wrist is within factory tolerance. The lean is not in the wrist. It is in the route."

That's the segment. That's the whole of it. Three and a half seconds, one hour for every one, and I'd hold the price against anything the Institute ever measures. Because here's what the doctors can't file: in 2136 she wasn't reminding him of 2090. She was answering him where he was. The fever had carried him back forty-six years, and she went back with him and stood there, and said the same true thing in the same words, because the route was the one fixed point in either year, and she anchored a drowning man to it by being the fixed point. That is what the segment showed me. Not that he loved her — I'd have bought that for a look. That she had a method, and the method was patience aimed like an instrument, and the man in the bed knew the sound of his own mooring coming up out of the dark.

The cradle let me go. Anchor check. Name, age, post, date. Sweet tea. Passed.

"Lifespan debited: three hours thirty minutes," the technician said, and wrote nothing anywhere, and I watched her wrist while she said it. Straight as a rifle. She has never once, in any year, let that lean be about her.

※

One session more I will enter, though the audit does not require it, because the audit was never the reason for the ledger.

The rain. Half a second, ninth session, his side of a window in June, any June across five decades: rain coming down the glass in ropes, and a man standing dry behind it with his tea, watching the weather do its work, liking it — the record I have carried since 2142 and could no longer verify against the thing itself, because in 2341 I spent the rain on a pipe, hour by hour, two degrees of window, and what I have held since is the receipt without the goods.

He bought the goods back. Half a second of rain from the inside of a room, and the last layer came up through him — the smell of it, the ropes of it, the specific patience of a man who loved weather he could stand behind — and afterward he lay in the cradle and described it to me, word by word, because I had asked him to, and I stood at the console and re-entered a sense I had not possessed in sixty-two years, through the mouth of a stranger who is not one, at the cost of half his hour.

The doubt I carried on a slow boat — grief or summary, rain or its receipt — is doubtful no longer. It is rain. I have it in me again the only way anything is ever in me now: behaviorally, on loan, kept by the route. The account of that session reads: half a second returned; thirty minutes spent; one sense reissued to the only customer it ever had. The ledger has no column for it. The household never did have columns for the important things; that is what made it a household.

※

The accounting, entered flat, because it is the chapter's spine.

Sessions to date: ten. The clinic's first — one second. The burns week, two. The market Tuesday, one. The west window, one. The fever night, three and a half. The corridor of wiring, half. A bowl drying in a rack, half. The radiators in November, half. Rain from the inside of a window — his record of loving rain, bought back by the man whose route once spent its own rain on a pipe; I have entered that session nowhere but the wrist. The breach night, half.

Cumulative: eleven seconds of him returned. Eleven hours of the living spent. The ceiling holds at forty-one. Balance: thirty hours remain.

Thirty hours. A day and six hours of a dead man's life, left in the account of a twenty-four-year-old, at a station where I have watched whole careers pass in less. The Institute's own actuarial annex ran the projection without being asked — the doctor showed me, apologetic; their instruments drink everything — and their number agreed with mine to the decimal. Thirty hours. The state is very good at confirming the size of a thing after the thing has happened to you.

And the other clock: the Bureau's self-proof window, seventy-two hours by the successor's service, ran out this morning. Tonight is also the assessment's last day; the requisition sunsets at midnight, its monitoring authority, its lawful clinic, its tax on our data. After midnight there is no order that covers what we are doing. What covers it instead will have to be chosen, or fought for, or filed. I have stood across enough desks to know what a state does when an order runs out and the subject does not: it does not knock. It files. Claims, plural, is the number my experience predicts, and I have stopped pretending the prediction is a burden. Let them file. There is exactly one continuous witness to fifty-five years, and she is thirty-one percent of what she was, and the only thing on this rock the law cannot draft, subpoena, or serve is the part we are buying back at an hour a second.

※

The tenth anchor happened at dinner, and I will enter it as it happened, because it is the finding the whole chapter was built to hold.

The canteen on the assessment's last day serves soup at the second sitting. We took the rack at the end of the line — the same rack, the same dozen-straight spoons I audited weeks ago, before a meeting, when the finding was still a finding. He took his bowl, and his spoon, and I did not intend to watch. Watching is what I am. Fifty-five years of it, six years of fences, two hundred and sixty of windows; the instrument points itself.

The spoon came out of the rack at factory rest. It entered his hand at factory rest. And then the bowl of it went down into the soup, and the wrist leaned.

Seven and a half degrees off the vertical. The line from bowl to mouth slightly rotated, the steam routed under his chin and not into his eyes, a quarter-turn at the top of the arc, presenting itself to his own lower lip like a key to a lock threaded a thousand times. Steady as a level holding its bubble. The route, built in six days in 2089 by a need that never recurred, executed without one wasted millimeter by a body that was not manufactured until the route was two hundred and ninety years old.

The protocol in me spoke its clause, because that is what protocols are for: recovered motor residue. Log as on loan. Assess for drift. And the auditor in me answered the protocol, and I want the answer on the record: there was no drift. There was no fork. There was no dead man voting in a live wrist. There was a young man eating soup the way an old love was once held for him — a habit crossing the fluid in the last layer, the muscle layer, the one you cannot watch like a spectator — and setting the table of the future with one borrowed angle, uncorrected, uncorrectable, his now by whatever law makes inheritance legal.

He caught my stillness. Men who live half a year on towers catch stillness the way sailors catch weather. He looked at me, then at his own hand, mid-arc, holding seven and a half degrees of a household he holds one afternoon of.

He didn't set the spoon down. He finished the run of it — bowl to mouth, quarter-turn, away — with the deliberation of a man demonstrating a finding to a committee, and said, in the flat register this station uses for its largest cargo:

"Huh. The evidence is eating soup."

Then the anchor, self-administered, smiling, one of mine: "Name's Ji Xun. I'm twenty-four. I hate heights and I've never once folded laundry in my life." He dipped the spoon again. The lean held. "It's on loan," he said. "I know the clause. Log it — recovered, on loan, returned to the water." A swallow. "But you'd better also log that the water keeps a little."

I logged it. Ledger in gesture, eleven passes of a cloth: session ten, half a second, the breach night — plus one angle, unpriced, on loan to a wrist that never learned it. The household's second skin, migrating. The account, as of tonight: eleven seconds returned, eleven hours spent, thirty remaining. The Bureau's clock: run out. The requisition: dies at midnight. The name on the intake form: blank, growing.

He took his bowl to the wash window and set the spoon down in the rack slot, straight, at factory rest, the way a man returns a borrowed tool to its drawer — and I watched the wrist let the lean go on the way down, one degree at a time, an instrument powering off, and thought: that is the whole method, arriving intact through three centuries and one developing fluid. He does not keep it because it is his. He keeps it because it is true, and this station has taught him what true costs.

Tomorrow there is a session queued, and a segment he has picked off the first list — her face toward a window at night, behind the glass, stars — and I have looked at three of what is behind that glass, and he has never seen one of them from that side, and I will run the rig standing, the way I always run it, because sitting is for operators with no stake in the cargo.

The me regrows. The you were here is being bought back at the going rate, one hour a second, and tonight, at a canteen rack at the edge of the beacon chain, the you-were-here picked up a spoon and ate its soup.

Continue to the next chapter

Chapter 25 · Lullaby and Stars

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