See You Tomorrowby Élodie Marchand

PROLOGUE · TWO YEARS, TWELVE

Chapter 1 · 6.7K words

The day had a clause in it. I found it early, before the light was right, and I sat with it the way I used to sit with contracts I did not want to sign: turning it over, looking for the sentence that did the damage.

The neurologist said the name of the disease once, whole, and once, in initials only, the way you abbreviate a thing to make it take up less room in a small room. Then she put her hands flat on the desk as if the desk were also unwell and needed steadying.

"Elias." She had used my first name the whole appointment. I had not invited that. "We found the pattern."

I said, "Median."

She looked up.

"You're going to tell me a number," I said, "and then you're going to tell me it's a median. Which is a word that means: half of the people like me do worse than the number, and that's acceptable, because I don't have to meet them."

She was quiet for a moment, deciding whether I was being cruel. I wasn't. This was the only language I trusted. I had spent twenty years making my living inside the fine print of other people's worst days. Bad news and I understood each other's grammar.

"Two years," she said. "Median. Given the rate of progression we're seeing, most patients in your band fall between eighteen months and three years. We will make you comfortable. There are trials. There are—" She stopped, and started again, which in doctor-language is a clause of its own. "There are residential programs."

"Comfortable," I said, tasting it.

"I know it doesn't sound like much."

"It sounds like a lot," I said. "It sounds like a whole industry."

The window needed washing. There was a long dried smear of rain on the glass, and I fixed my eyes on it, because it was easier than the second thing in the room. Light came through the smear and bent it into two lights, one of them wrong. I catalogued the room to keep from cataloguing myself: desk, box of tissues placed too close to me, her wedding ring, the degree on the wall, the smear. Out the window, the street was doing its Tuesday business. No one out there knew that the sentence had been read. I found this unjust in a way I could not have billed for.

"There's no pain yet," I said. It was not a question.

"There will be."

I had wanted her to lie. I filed that away: at the end, apparently, I still wanted the soft version of a clause. Twenty years in the trade, and I still believed the other side would be kind if I sat very still.

"The motor things first," she said, more gently than the sentence deserved. "Fine movements. Then balance. Then speech, eventually. Cognition is usually last, which is its own cruelty for a man who—" She stopped again.

"For a man who thinks for a living," I finished for her. "I get it. The software goes last, so I can watch the hardware fail."

She didn't deny it.

On the way out she gave me the brochures I would not read, and the number for a support group I would not call, and the name of the residential programs I already knew about, because I had helped draft the paperwork for one of them, years ago, in another life, for a fee I could still remember to the dollar. Everdawn. Halcyon Corporation. I remembered the product meetings. I remembered the phrase they used back then: a place to rest. We all knew what it meant. We all used the other phrase privately, the honest one: a place to go to die that doesn't look like a place to go to die.

Here is the part that will matter later, so I am writing it down now, while my hands still do what I tell them:

Somewhere in a database that will outlive me, my name is attached to a sentence. I drafted it, or I approved it, in the last year I worked at the firm. Section nine of the Halcyon service agreement. The one nobody read. I can quote it from memory, because I was paid to be able to:

The Company may modify, suspend, or terminate the Service, in whole or in part, at any time, for any reason or for no reason, with or without notice.

Standard. Boilerplate. It was in every contract I ever touched; you could not sell software in those years without a knife in the drawer. I did not write it with a dying man in mind. I wrote it with a server bill in mind. I remember the meeting about as well as I remember any meeting, which is to say not at all. But I remember the invoice, because I itemized everything then, and I was proud of my itemizations. 0.4 hours, section nine. Forty dollars and change, for the sentence that let a company turn off a person's whole world, whenever they liked, for no reason.

I think about that invoice the way other men think about a first love. It was nothing. It was nothing — a paragraph, a billable hour. And now I am going to spend my last two years inside the product that sentence was written to protect, and somewhere in the fine print of the walls around me is a clause that says they can switch it all off, and I wrote it, and I signed it twice.

Which tells you something about me that I didn't know until today: I do not read my own contracts. I read everyone else's.

I went home and did not answer my sister's call. Dana's name lit the screen twice. She would have wanted to know about the trial results. I had told her they were routine. I had told her a lot of things that were not true that way, small and warm and folded neatly, and I was good at it, which was how I knew she would forgive me eventually and never quite trust me again, and I was sorry for that, and I was not going to call her back tonight, because I did not yet know how to say it, and I had two years to practice.

That night I drove to the Halcyon intake center on the far side of the city, because I am the kind of man who does the thing on the same day the thing becomes possible, before the fear can incorporate. The building was clean and quiet and smelled of nothing, which was the most expensive smell a building can have. A counselor with kind eyes walked me through the consent screens. I read them. I always read them; it was the one religion I kept. And when I reached section nine, the words were still mine, verbatim, untouched after all these years — at any time, for any reason or for no reason — I laughed. I laughed in the intake room, alone, until the counselor asked, kindly, if I was all right.

"I'm fine," I said. "I was just checking the fine print. Habit. I used to write this stuff."

She smiled, because she thought I meant it as a joke, and she was half right.

"The immersion is full sensory," she said. "You'll be sedated and monitored continuously. Many residents choose to stay in for weeks at a time. You can return any time. The system will wake you if there's—" She hesitated. "If there's a medical concern."

The system will wake you if you're dying, is what she meant, so that you can do it somewhere with a license. In the world, though, you are not dying. In the world, the weather is good and the food is warm and nothing hurts. That is the product. That is what we sold. I had known this in the abstract, the way a contractor knows a house. Tonight I would know it the way the tenant does.

They put me in a chair that was also a bed. A technician with a gentle manner and a badge that said her first name only asked me if I was ready, and I said yes, because at a certain point the only honest answer to that question is yes, and I closed my eyes, and I did what I always did when the fear got too large for the room: I made a list.

There will be weather that means nothing, I told myself. There will be a town that doesn't know it's a town. There will be an edge to the world, because there is always an edge, and someone will have built something at it — a fence, a wall, a lighthouse — to prove that the builders knew where they stopped. There will be bread. There is always bread, in these places; it is the cheapest thing to simulate and the first thing the dying ask for.

None of that turned out to be the thing that mattered.

The sedation took me down in warm increments, and I let it, because I was a man who had spent his life agreeing to terms, and for once the terms were simple: a little less of me, a little more of somewhere else. I did not fight it. I had stopped fighting things that day, in the order they arrived.

When I woke, there was salt in the air and a lamp burning at the far end of the world.

And the sky above me — the sky was older than my prognosis.

Continue to the next chapter

CHAPTER 1 · THE FOG AT THE END OF THE WORLD

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